Tampa

tampa-alissa-nutting-cover

by Alissa Nutting
Ecco 2013

First sentence: I spent the night before my first day of teaching in an excited loop of hushed masturbation on my side of the mattress, never falling asleep.
First indication something is weird: …thirty-one is roughly seventeen years past my window of sexual interest.
First confirmation that something is weird: All I could think about were the boys I’d soon be teaching.
Also enjoyed: …it hardened like the frosting of a confection and cast my excitement beneath a crisp, thin shell.
Number of terrible titles given to an otherwise great first novel: 1

Other reviews: Just a Lil’ Lost…, Jenn’s Bookshelves, Bookish Ardour, Bibliosaurus Text, Three Guys One Book

Bravo, Alissa Nutting, bravo. I grew up near Tampa, and expected that a book named after America’s urban carwash and mini-mall capital would itself be the literary equivalent of diarrhea on a humid blacktop parking lot (which I have seen and I gave it two stars). But you won me over in a page and a half. Alissa Nutting, you can write a goddamn sentence. It’s not snarky, it’s not over-saturated by sticky adjectives, and the subject matter is immediately interesting to perverts like me: a gorgeous 26 year-old married woman with a fetish for 14 year-old boys who goes into teaching middle school for the purpose of seducing them. Do go on…

The language becomes very sexual very quickly, but it doesn’t read like a romance novel. The main character describes in detail her attempt to cleanse and scrub her body with strawberry aromatics to a point at which “the slippery organs of my sex…taste like the near-transparent pink shaving gelée applied to them,” and “for the sandy rouge of my nipples to have the flavor of peach cream complexion scrub.” It’s playful without a heavy hand.

The story is inspired by the case of Debra Lafave, who you may remember from the news in 2005, when she was caught sleeping with a 14 year-old male student. Alissa Nutting claims to have attended high school with her near Tampa.

One downside to this work is that the subject material may be more interesting to perverted men than to women (except for Women’s Studies majors, who will surely appreciate the commentary on gender politics and sexuality) and a book by a woman, with a fuzzy cover (yes, it’s fuzzy) is going to be hard to market to the same patriarchy that the book is partially commenting on. Or something. My point is, it reads great, but who’s going to buy it? Unless there’s a vast unaddressed market of child molesters in North America. And if there is, why don’t I have more friends?

tampa-alissa-nutting-alt-coverAlso, I noticed this alternate cover for the book, which I assume was censored for American distribution, since we’re babies; and vaginas, and things that look like them, are scary and might turn us into rapists.

I’m going to read this one for real. I do hope it continues to read this intensely, and leaves the judgments on gender and sexual politics to me. Because I happen to LIKE my double-standards.

(PostScript: I could tell quickly Alissa Nutting is not from Florida. 1. She talks about “mobile” or “extension classrooms”. We called them “portables”. 2. Her main character mentions the weather channel predicting “record-high humidity”. There is no such thing in Florida. Every day is 100% humidity. 3. She says, “the temperature inside the faculty lounge was nearly unbearable.” This is impossible. Every room in a Florida school feels like a meat locker. The A/C runs full blast all night long. First period is never hot. It’s freezing.)

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Mister B. Gone

by Clive Barker
2007 Harper Collins

Selection method: Wanted to find non-shitty non-Stephen King horror fiction. Failed.
First paragraph
: Burn this book. Go on. Quickly, while there’s still time. Burn it. Don’t look at another word. Did you hear me? Not. One. More. Word.
First, page 2: What are you waiting for? You don’t have a light? Ask somebody. Beg them.
First, page 3: What’s the problem? Why are you still reading?
Most totally idiotic: …the book sat somewhere through the passage of many centuries in a pile of books nobody ever opened.

I was convinced that Mister B. Gone was young adult fiction, and that the library had misfiled it. It’s not, because Clive Barker thinks you are retarded. In fact, this is considered “metafiction”, which isn’t even a real word (see my feelings on “meta” in general) and I guess that is supposed to impress me. Instead of being impressed, I took up arson. And I was BAD at it.

I read through the first three pages of warnings about how evil this book is just to find out how shitty it could get. It didn’t take long, with the narrator revealing, “Yeah, I’m a demon.” Yeah, you’re a shitty book. Clive Barker must be taking writing lessons from James Patterson now. There was nothing compelling, suspenseful, scary, or macabre in those first pages. The only good thing I can say about it was that there were no spelling errors. And the cover design was nice, but that was the work of Mary Schuck, whose career is now ruined.

Even if Clive Barker were to claim this was young adult fiction, I would never let a child of mine read it. I wouldn’t want them to grow up thinking it’s okay to write this way. Clive Barker may have even sensed that this book was shitty, and so in a stroke of genius, spent three pages telling you to stop reading and burn the book, which is so meta my nuts just exploded from a hipster orgasm.

Don’t read this book. It is shitty. Put the shitty book down. Now. Burn the shitty book.

Other reviews: Fantasy Book CriticWhat We’re Reading Now, No Room In Hell, Morbid Outlook

(Support this site by purchasing this shitty book through one of the links below.)